HUMAN INTEREST

  • TRANSYLVANIA – THE CLOSED WORLD OF THE GABOR

    TRANSYLVANIA – THE CLOSED WORLD OF THE GABOR

    The Romanian village of Karácsonyfalva in legendary Transylvania is the centre of the Gabor community. Largely shielded from the outside world, they have held on to their customs and rituals for 500 years. Considered the aristocrats among the Roma, most Gabor are Adventists. We provide a first glimpse of their closed world.

  • SPIRITS I’VE CALLED – THE JOURNEY OF STEEL

    SPIRITS I’VE CALLED – THE JOURNEY OF STEEL

    Gigantic opencast mines in Brazil, Europe’s biggest steel mill in southern Italy and landscape parks in western Germany: exploitation and pollution on the one hand, slow recovery from decades of industrial use on the other. The film gives an idea of the massive impact of the global steel industry on people and the environment

  • WOMEN OF ISLAM

    WOMEN OF ISLAM

    Can feminism be Islamic? The role of women in Islam is a constant subject of controversy. We introduce female scholars of Islam, artists and authors who have set themselves the goal of finding their own path to emancipation.

  • NEPAL – SO CLOSE TO HEAVEN

    NEPAL – SO CLOSE TO HEAVEN

    A land where primeval forests meet mountain deserts, with both tropical regions and icy peaks. One of the poorest countries in the world and yet a magical, mystical place, realm of the gods and a spiritual paradise. A journey to discover Nepal’s natural beauty and the people who make their lives in this harsh and remote setting.

  • ART COMES FROM THE BEAK THE WAY IT HAS GROWN

    ART COMES FROM THE BEAK THE WAY IT HAS GROWN

    At the Mosaik art studio in Berlin, artists with disabilities are absorbed in their work. Filmmaker Sabine Herpich observes the artists in the course of creation and directs her gaze at the institution itself: its processes, staff and spaces. The film succeeds in maintaining its focus on the art itself rather than the handicaps of its creators.

  • LOST IN FACE

    LOST IN FACE

    Carlotta cannot see faces, not even her own. For her, human faces are no bastion of trust, but places of fear and confusion. Filmmaker and neuroscientist Valentin Riedl travels through Carlotta’s universe, full of anthropomorphic animals, lucid dreams and bumpy false paths. Her never-ending search for answers leads her to art—and thus an avenue to her own face and back to humanity.

  • THE SECOND LIFE

    THE SECOND LIFE

    The distance between human and nature, which leads us to make catastrophic miscalculations in how we treat our environment, can be overcome with the help of preserved animal specimens. This is the conviction of the three taxidermists we accompany as they prepare for the European Taxidermy Championships.

  • A MOM FOR JULIA

    A MOM FOR JULIA

    Julia is born in a Russian prison. The film follows the girl’s development from the first year of her life until after she turns seven. Three women take it in turns to look after her. They all want the best for Julia, but they don’t always agree on what that actually means…

  • THE ART OF LIVING IN DANGER

    THE ART OF LIVING IN DANGER

    This author-driven documentary starts with the personal story of Mina, the director of the film. She unveils a family secret by telling the story of her grandmother, a woman she never met who died under mysterious circumstances. Her personal story and other women who share their experiences shows how Iran’s patriarchal system instils fear in women in public spaces and in the home.

  • THE EL-MASRI CASE

    THE EL-MASRI CASE

    In 2004, German citizen Khaled El-Masri was kidnapped and detained by the CIA. The story of an innocent man who fell victim to geopolitical power interests.

  • NOT JUST YOUR PICTURE

    NOT JUST YOUR PICTURE

    Layla and Ramsis, German-Palestinian siblings living in Germany, face a family tragedy far away in the besieged Gaza Strip: their father, his new wife and his five children are killed by an Israeli missile. Trying to come to terms with their grief at the loss of their stepfamily, they are forced to redefine their personal and political identity.

  • I WANT JUSTICE!

    I WANT JUSTICE!

    At the age of 14, Ekhlas was captured by the IS. Today, the 19-year-old Yazidi is a survivor who campaigns internationally for recognition of the Yazidi genocide. We accompany her on a journey to Iraq, where she is reunited with her sister who also managed to escape IS captivity five years later.