Much of Venice today is dominated by mass tourism. We discover lesser-known corners of the lagoon city and meet some of “the last Venetians” – long-time residents and craftsmen – an organ tuner, weaver and glassblower – who practice centuries-old trades and thus preserve many of the city’s traditions.
Our oceans are drowning in plastic. Much of this waste ends up in the sea via rivers, including European rivers. This is the sad conclusion film-maker Steffen Krones comes to when he discovers waste from Germany on Norway’s Lofoten Islands. To find out more, Steffen and a friend build a GPS buoy to follow the waste’s journey all the way to the Arctic.
New York saw more cases of Covid-19 than any other city. The virus brought fundamental and drastic changes. In unique images, this film looks back at the first year of the pandemic in New York, exposing the soul of this mythical, complex and beautiful city in one of its most challenging periods.
Since the pandemic brought international tourism to a standstill, one thing is for sure: too much travel is bad for the environment. Our desire to travel remains unbroken. But do travellers have to decide between the extremes: the appeal of the exotic and holidays at home? How do tourism-plagued cities envisage their future? And what are the alternatives – will we only be able to travel virtually?
Fond memories, true love and bizarre anecdotes combined with unique archive footage make this film a fascinating study of socialist car culture past and present. What did it mean to own a motor car in the East? Classic car enthusiasts from all over Europe tell fascinating stories about their “dearest companion”.
A fact-finding film about investigators, victims and members of the Nigerian mafia. Thanks to exclusive access to wire-tapped conversations and witness statements, the film exposes the structure of this dangerous network which is spreading further across Europe. We accompany a public prosecutor, policeman, survivor and social worker in their campaign against organised crime.
This author-driven documentary starts with the personal story of Mina, the director of the film. She unveils a family secret by telling the story of her grandmother, a woman she never met who died under mysterious circumstances. Her personal story and other women who share their experiences shows how Iran’s patriarchal system instils fear in women in public spaces and in the home.
